"Is this even film?"
Expanded cinema as a cinema-action: multi-layered gesture in the new media art of celluloid
Film program: VALIE EXPORT and Mihovil Pansini
Curated and introduced by Petra Belc Krnjaić (in Croatian)
Q&A session with Gerald Weber (sixpack films), in English
Moderator: Sonja Leboš
Dubrovnik October 3, 2023
8 PM
Kino Karantena
Art Radionica Lazareti, Frana Supila St, 8
Korčula, October 5, 2023
7 PM
Cinema of the Centre for Culture Korčula, Obala korčulanskih brodograditelja
This program in Korčula is the first edition of the "Pansini's Days"
Split, October 7, 2023
8 PM
Kino klub Split
MKC Split, Ulica slobode 28
Programs "Is this even film?" are carried out through the program Clubture-HR program exchange and cooperation with the support of the Ministry of Culture and Media RH, Endowment Kultura nova, Office for Culture and Civil Society of the City of Zagreb and the National Endowment for development of civil society via program Centers of Knowledge
Partners of the tour of this film program are: Art Workshop Lazareti (Dubrovnik), Center for Culture Korčula, City Library „Ivan Vidali“ (Korčula), Kino klub Split, and sixpackfilms from Vienna.
Sponzors in Korčula: Aminess Hotels
Petra Belc Krnjaić
Translation: Sonja Leboš
VALIE EXPORT (26')
Selbstportrait mit Kopf / Self-Portrait with Head, 1967, 4'
Interrupted line, 1971-72, 6'
Raumsehen und Raumhören / Space-Seeing and Space-Hearing, 1973-74, 6'
Adjungierte Dislokationen/Adjunct Dislocations, 1973, 10'
Piove, 1959, 6'
Scusa Signorina, 1963, 5'
K3 ili čisto nebo bez oblaka/ K3 or the cloudless sky, 1963, 3'
Dvorište/The Yard, 1963, 12'
About authors
VALIE EXPORT was born as Waltraud Lehner in 1940 in Linz, where she attended the School for the Arts and Crafts. In 1964 she graduated from HBLVA for Textile Industry in Vienna. Since 1967 she has been going by the name VALIE EXPORT, an artistic concept and logo. She works with a wide range of media and caught the attention in the 1960s and 70s with actions in public space that belonged to the field of performance and to media art and were developed from a feminist perspective.
A co-founder of the Austrian Filmmakers Cooperative, she has participated in numerous film and video festivals all around the world. In addition to presenting her work in international exhibitions and participating in major exhibitions like the Venice Biennale (1980) and documenta (1977), the 1970 saw the beginning of her curatorial activities, with a focus on feminism and media art. Furthermore, she taught at institutions such as the Art Institute in San Francisco, the University of Wisconsin, Milwaukee/USA, and Berlin University of the Arts. Until 2005, VALIE EXPORT held the professorship for Multimedia and Performance at the Academy of Media Arts Cologne. In 2009 she was the co-commissioner for the Austrian Pavilion at the Venice Biennale. For her work to date, VALIE EXPORT has been awarded numerous accolades and prizes, including the Max Beckmann Prize in 2022 and the Grand Decoration of Honor with Star for Services to the Republic of Austria. In 2019 the Roswitha Haftmann Prize recognizing outstanding achievements in the visual arts, the Lebenswerk-Preis (Lifetime Achievement Award) from the Austrian Federal Ministry for Education and Women's Affairs, and the Gold Decoration of Honor of the City of Linz for Services to Culture in 2015, the Yoko Ono Lennon Courage Award for the Arts (2014, together with Laurie Anderson, Marianne Faithfull, Gustav Metzger), the Austrian Decoration for Science and Art (2005), the Alfred Kubin Prize (2000), the Oskar Kokoschka Prize (2000) and the Gustav Klimt Prize (1998).
She lives and works in Vienna.
VALIE EXPORT was born as Waltraud Lehner in 1940 in Linz, where she attended the School for the Arts and Crafts. In 1964 she graduated from HBLVA for Textile Industry in Vienna. Since 1967 she has been going by the name VALIE EXPORT, an artistic concept and logo. She works with a wide range of media and caught the attention in the 1960s and 70s with actions in public space that belonged to the field of performance and to media art and were developed from a feminist perspective.
A co-founder of the Austrian Filmmakers Cooperative, she has participated in numerous film and video festivals all around the world. In addition to presenting her work in international exhibitions and participating in major exhibitions like the Venice Biennale (1980) and documenta (1977), the 1970s saw the beginning of her curatorial activities, with a focus on feminism and media art, furthermore, she taught at institutions such as the Art Institute in San Francisco, University of Wisconsin, Milwaukee/USA, and Berlin University of the Arts. Until 2005, VALIE EXPORT held the professorship for Multimedia and Performance at the Academy of Media Arts Cologne. In 2009 she was the co-commissioner for the Austrian Pavilion at the Venice Biennale. For her work to date, VALIE EXPORT has been awarded numerous accolades and prizes, including the Max Beckmann Prize in 2022 and the Grand Decoration of Honor with Star for Services to the Republic of Austria. In 2019 the Roswitha Haftmann Prize recognizing outstanding achievements in the visual arts, the Lebenswerk-Preis (Lifetime Achievement Award) from the Austrian Federal Ministry for Education and Women's Affairs, and the Gold Decoration of Honor of the City of Linz for Services to Culture in 2015, the Yoko Ono Lennon Courage Award for the Arts (2014, together with Laurie Anderson, Marianne Faithfull, Gustav Metzger), the Austrian Decoration for Science and Art (2005), the Alfred Kubin Prize (2000), the Oskar Kokoschka Prize (2000) and the Gustav Klimt Prize (1998).
She lives and works in Vienna.
(quoted from https://www.valieexportcenter.at)
For further information on VALIE EXPORT, see: www.valieexport.at
Mihovil Pansini is a Croatian film director and doctor (Korčula, May 29, 1926 – Zagreb, May 13, 2015). He graduated from the Faculty of Medicine in Zagreb (1953) and specialized in otorhinolaryngology (1960). He worked at the Clinic for otorhinolaryngology of one hospital in Zagreb, and was a professor at the Faculty of Medicine and Faculty for Humanities and Social Sciences in Zagreb. His amateur film debut Gospodin Doctor/Mr Doctor took place in 1953, and he was an active member of Zagreb Cinema Club, incessantly inclined towards naturalist notes (e.g. Osuđen/Convicted, 1954), but, especially, as a proponent of the so-called antifilm, also towards film experimenting that is visible from the elimination of the most conventions of film expressions, psychological stereotyping and abhorring hypocritical worldviews. We can emphasize films such as Piove (1958), in which he uses image distortions, Siesta (1958), Dvorište/The Yard (1963) and Zahod/The Latrine (1963), in which he prevalently uses the methods of fixation of a certain ambiance and procedures of structural film, Scusa signorina (1963), ruminating in the field of poetics of serendipity, and, aesthetically most radical one, K-3, ili čisto nebo bez oblaka/ K3 or the cloudless sky (1963). Pansini is a founder and leading theoretician of GEFF (Genre Film Festival, Zagreb), and he received the title of Master of Amateur Cinema for his creative amateur work on film. (Source: Croatian Encyclopedia)
Petra Belc Krnjaić holds a Ph.D. in Film Studies from the University of Zagreb; her thesis explored “The Poetics of Yugoslav Experimental Cinema from the 1960s and 1970s.” As an independent researcher, her focus is on the field of experimental cinema with a chosen interest in the archiving and preservation of small-gauge films, feminism, and visual art. For years she has been also working as a film editor and a producer of film and TV announcements and promotion of TV programmes.
Sonja Leboš, Ph.D., defended her doctoral thesis under the title “City on Film, Film in the City: Zagreb 1941-1991, cultural-anthropological perspective” in November 2022. Cultural anthropologist, expert in cultural tourism, and art educator. She also studied set design and architecture in Prague and Zagreb. Her activities are in the domain of cultural and urban studies, education and production in culture and art, visual and urban anthropology, and discourse analysis, while her artistic, curatorial, and scientific work tends to merge the liminal fields of narrative urbanism and visual arts, design, theory and practice of performativity, film, and new media.
Gerald Weber
Gerald Weber is one of the key people in the production and distribution house sixpack films from Vienna, which was established with the aim of promoting the Austrian experimental film.